Getting audiences to confront and deconstruct the cultural baggage they bring to sex remains at the centre of her more recent films Romance (1999), À ma soeur! (2001), Sex is Comedy (2002) and Anatomy of Hell (2004), but 36 Fillette, to this viewer, strikes the perfect balance between polemic, critique and compelling psychological study. Perhaps in stark reaction to the soft porn delusions of Hamilton’s work, Breillat decided to approach the subject of a young adolescent’s sexual education with a clarity and honesty rarely found in art in general, let alone film.
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